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a place where I add the design stuff I did for rush
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The light … gave the whole sequence a Ridley Scott, Jordan Cronenweth Blade Runner look.
One particular joy of being in VFX is working on shots with one of your favourite actors in it.
After a few significant technical breakthroughs in the pipeline we were able to glide through the remaining episodes with relative ease.
Off to the races! Yes!
It may have been a slightly cheesy space opera, but it was our slightly cheesy opera.
Not only did I read the script, I read the book because Margaret Atwood is a genius.
An arctic shot with a submarine sticking out of the ice is super cool no arguments.
Oh dear, he’s going to go on about Brian De Palma now
It gave me lots of time to think about my shots which were basically swapping out Chicago transit double-deckers for single stage, Montreal, CN trains
If you’re squirmy about spiders, you might want to skip this one.